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17

Nov
2013

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Mosaic Masterpieces Tour 2013 Part 1: Venice, Clauiano, Udine, Spilimbergo

Mosaic at La Scuola Mosaicisti del Friuli (Splimbergo)  Photo:  James Taylor

Mosaic at La Scuola Mosaicisti del Friuli (Splimbergo) Photo: James Turner (JT)

Can it be a month since we left Italy? Why yes, it has been a month and more. And yet, the memories are still so fresh, so alive, so inspiring.

This is the first of two articles about our mosaic-driven sojourn in Italy during the first two weeks of October. We began in Venice and then joined Julie Richey’s Mosaic Masterpieces Tour to Clauiano, Acquileia, Grado, Udine, Splimbergo and finally Ravenna for the international mosaic festival RavennaMosaico 2013.  In this article we’ll cover Venice to Spilimbergo; a second article will cover Udine, Ravenna and RavennaMosaico.

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4th century mosaic at the basilica of Aquileia.

It was our experiences during the 2011 Masterpieces tour that prompted the complete overhaul of Mosaic Art NOW to what it is today. Mosaic – both ancient and modern – has so much to offer and contemporary explorers of the medium are creating beautiful, relevant art that deserves a museum-quality presence on the internet. And that’s what we set out to build. (Nudge: Click on any photo on the website for a much larger image)

This year, we arrived in Italy on October 2nd with high expectations and were not disappointed. Come along for the journey where we’ll visit with luminaries like Giulio Menossi, Paolo Racagni, Giulio Candussio, and Ilia Ilyev and discover new talented artists doing amazing things. Prepare to be inspired!  First stop, Venice.

The 2013 Venice Biennale

We had only one morning for the city-wide international art fair that is the Venice Biennale and so concentrated our time in the Giardini between the divine Encyclopedic Palace – Massimiliano Gioni’s marvelously curated collection of works devoted to the concept of “collecting” the knowledge of the world in one place – and pavilions we knew had mosaic works we wanted to see. Highlights included:

Jack Whitten 9-11-2001  2006

Abstract painter Jack Whitten‘s (b. 1939) mosaic response to witnessing the terrorist attacks in New York City from his studio was both moving and disquieting. The artist made his own tesserae incorporating paint, crushed bone, blood, glass, ash and more into clear acrylic. The primary image is that of a pyramid which could reference a the iconic Egyptian funereal monuments or perhaps the icon found on the a one dollar bill. Two large areas of chaos reign in the lower one third of the work where one finds tire tracks, foot prints, scraps of newspaper, chicken bones  – “traces of the lives that were lost that day” – and below them, at the base of the work, a small strip of tesserae made with human blood. It is an image we won’t soon forget.

Jack Whitten "9-11-2001"  2006  Photo:  Alan Punton

Jack Whitten “9-11-2001″ 2006 Photo: Allan Punton (AP)

Photo:  NTMP

Photo:  NTMP

MariaLuisa Tadei at the Venetian Pavilion

We left The Encyclopedic Palace having just barely covered a small portion of the treasures within to hustle on over to two pavilions we knew we had to see.  The first was the Venetian Pavilion and the multi-work installation by Maria Luisa Tadei that we had covered earlier on MAN. The artist’s homage to Venice’s storied past as one end of the Silk Road included the spectacular walk-in sculpture Il Castello Del Sole, the mosaic San Angelo, and two exquisite small embroideries whose designs were incorporated into fabric specially woven for the exterior Il Castello as well as the ceiling and floor of the work. 

MariaLuisa Tadei   Photo:  NTMP

MariaLuisa Tadei "San Angelo"   Photo: NTMP

MariaLuisa Tadei “San Angelo”

Photo:  NTMP

Photo:  NTMP

Mohammed Banawy at the Egyptian Pavilion

Literally right next door to the Venetian Pavilion was the second “must see” on our list – Mohamad Banawy and Khaled Zaki’s Treasuries of Knowledge at the Egyptian Pavilion. Also covered previously on MAN, there were four works in this installation, two mosaics by Banawy and two sculptures by Zaki. According to Zaki, who was also the curator for the exhibit, Treasuries of Knowledge is an attempt to visualize Man’s quest for knowledge at the intersection of Nature’s infinite wisdom and what Man learns for himself as he walks – and alters – the face of Earth.

Mohamed Banaway "The Valley"  2013  150 x 500 cm  Clay, glass, wood, metal, cement

Mohamed Banaway “The Valley” 2013 150 x 500 cm Clay, glass, wood, metal, cement  Photo courtesy of the artist

Photo:  NTMP

Mohamed Banawy "The River" 2013  Photo:  NTMP

Mohamed Banawy “The River” 2013

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What we hadn’t seen in previous photos of  The River was that the work included thin lines of clear filament hung in front of the mosaic.  Seen live, they added a dimension and sense of water as they captured the light. Speaking of light, we loved this quote that greeted you as you entered the Pavilion. Again, for more on this exhibit, do check out our previous post “Mosaics of the 2013 Venice Biennale: Mohamed Banawy & Khaled Zaki at the Egyptian Pavilon.”

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Onward to Udine!

There was, of course much, much more that we loved at the Biennale and in Venice (what’s not to love?), but we’ll save those bits for future articles on MAN. Fast forward to Saturday, October 5th and the Venice Central Train Station where it’s time to join the rest of our merry band of 13 for the start of the Mosaic Masterpieces 2013 tour.  We’re going to make tracks to our home base in the Friuli region for the next four days – Udine

station

When Richey was planning this tour, she worked closely with master mosaicist and Udine native son Giulio Menossi who acted as our tour’s mentor; he and his wife Rosa met us when we arrived at the train station and accompanied us everywhere. By the time we moved on to Ravenna, we had come to think of Menossi as The Pied Piper of Udine.

Photo James Taylor (JT)

The Editor and Giulio Menossi   Photo:  JT

They came from Australia, The UK, and all points in the US, these mosaic makers, mosaic lovers and lovers of mosaic makers. Here we all are at our first feast (facetiously billed on our itinerary as a “light lunch”) at Trattoria alla Bontá in Udine. Time to introduce our Cast of Characters . . .

(l to r) Lynn Adamo OR, Suzanne Demeules MN, Carolynn Friedman IL, Bonnie Lankford TX, MAN co-founder Michael Welch MA, Lori Postma IL, Margy Cottingham WI, Nancie Mills PIpgras CA, Julie Richey TX,  James Turner, TX, (hidden) Michele McCrea AU, Sharon Weglowski IL and, behind the camera, Alan Punton UK

(l to r) Lynn Adamo OR, Suzanne Demeules MN, Carolynn Friedman IL, Bonnie Lankford TX, MAN co-founder Michael Welch MA, Lori Postma IL, Margy Cottingham WI, Nancie Mills PIpgras CA, Julie Richey TX, James Turner, TX, (hidden) Michele McCrea AU, Sharon Weglowski IL and, behind the camera, Allan Punton UK

This four course repast set the gastronomic pace for the entire trip – Eat Long and Eat Well.  This meal took two plus hours from the Prosciutto and Parmesan Crisp Start to the Apple Streudel/Fresh Pineapple with optional Gran Marnier or Grappa Finish. Mangia!

Magic in Clauiano

No sooner had we unpacked our bags at our B&B when we hit the road once again, this time in our cozy private bus for a short ride to spend the evening in “one of the most beautiful villages in Italy” – Clauiano

Photo:  James Taylor

Photo: JT

Last year, this lovely crossroads in the Friulian countryside fell in love with mosaic.  Sparked by an idea from Menossi, fueled by the members of the mosaic web site Contemporary Mosaic Art (CMA) and stoked with the energy and enthusiasm of a group of three local young people (Clauiano Mosaics & More Association), the first International Mosaics In Clauiano exhibit was hatched, launched and deemed a huge success.

Richey began planning our visit to this year’s exhibit several months ago with Maida Zerman, President of Clauiano Mosaics & More and Menossi.  The plan was that our group – which included three artists with work in the exhibit – would tour the gallery, Richey and I would make a presentation on mosaics in America to a small local audience, and the Mayor would bestow upon your Editor the honorary title of Gran Cavalieri della’Ordine de San Martino for MAN’s contribution to promoting contemporary mosaic. After that, we would all go someplace together and for a casual dinner.

All of which sounded like a plan for a lovely evening and a great way to kick off the tour. But, as would happen again and again on this journey, synchronicity and karma went to work and things just went beyond our wildest dreams.

First, there was a delay in getting things going.  No problem, Vice Mayor Remo Livoni walked us over to Foffani Winery where Elizabetta Missoni Foffani gave us a tour that included two stele designed by renowned artist and former director of Spilimbergo Giulio Candussio that yes, served as the inspiration for fabrics in the tasting room made by, of course, that Missoni.

Photo:  JT

Photo: JT

MisonniNTMP

Still not ready for us at the gallery? Well then, we’ll just have to pop into the local bodega, Borgo Claudius, for a little wine and salumi tasting. All that night, there was not a door in Clauiano that wasn’t opened for us instantly. The hospitality and thoughtfulness was, well, overwhelming. This video prepared by Clauiano Mosaics & More will give you an idea of what we’re talking about.

Every single member of our tour group – whether they had a mosaic in the exhibit or not or even made mosaics for that matter – received a gift catalogue, orchids and a handshake from the Mayor, Roberto Fedele (who does look like Robert Wagner in the 60s, doesn’t he?). And that dinner? It was a five course repast of local fare prepared on the hearth of an open fireplace in the middle of our dining room. The hospitality of the tiny village of Clauiano, and in particular the efforts of Maida Zerman, Marcello Nobile and Matteo Pizzutti, was astonishing and humbling for us all.  Some photos.

Margy Cottingham "Show Me the Way" 2013 39x39 cm

Margy Cottingham “Show Me the Way” 2013 39×39 cm   Photo: JT

Lynn Adamo "San Sebastian" 2013 30x30 cm.

Lynn Adamo “San Sebastian” 2013 30×30 cm.

Julie Richey "Disco Inferno" 2012 (with embellishment)

Julie Richey “Disco Inferno” 2012 (with embellishment)

Photo:  JT

Photo: JT

Clauiano Feast  Photo:  JT

Clauiano Feast    Photo: JT

Photo:  AP

Photo: AP

Like we said before – magic. Our evening in Clauiano is an experience that none of us will ever forget. By the time we got on the bus for our moonlit drive back to Udine, we were all in love with Friuli.

Aquileia

Once called “The Second Rome”, Aquileia is now a UNESCO World Heritage Site as “the most complete example of an early Roman city in the Mediterranean world.” We were there primarily to explore the mosaics of the city’s basilica which, like many religious sites in Italy, went through a number of iterations that chronicle the progression of the Christian faith in Europe.  Giulio Menossi has been studying the mosaics of the basilica since childhood and we were lucky to have him as our guide.

The basilica is best known for the 4th century mosaics found inn the main part of the building – the largest mosaic floor in Europe – which were revealed in a reconstruction effort in 1909. Imagine chipping away at a clay floor and discovering this . . .

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Here is the tale of the prophet Jonah, a sea scene with twelve fishermen representing the apostles, portraits of donors and local dignitaries, scenes from the Gospels, beasties and beauties and exquisite geometric patterns holding it all together.

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Far more interesting to us were the mosaics to be found in what is called The Crypt of the Excavations which lies below the main basilica – the 3rd century Gnostic Mosaics.

Aquileia10 Giulio Menossi has been studying these fascinating mosaics for years and his appreciation and passion for them was evident as he made observations and passed them on to Richey to translate for us.  (Side note: Richey’s fluency in Italian, art history education and mosaic expertise were invaluable as we met with artists along the tour.)

The Gnostics believed that man’s soul was on a journey through the cosmos from the darkness of the Earth to the light of God; that answers to spiritual questions were to be found within, not without.  These mosaics represent that journey through a series of levels each of which had a specific time frame (the first level was believed to take 150 years and 8 months) and a specific guide which was often represented by an animal affiliated with a sign of the Zodiac.

(these) mosaics, done largely in the 3rd century, represent the ascent of the soul, through the realm of the planets and constellations, to God, who is represented as a ram. (The ram, at the head of the zodiac, is the Gnostic generative force.) Libra is not the scales, but rather a battle between good (the rooster) and evil (the tortoise); the constellation Cancer is represented as a shrimp on a tree. The basis for the representation in Aquileia is the Pistis Sophia, a 2nd-century Gnostic tract written in Alexandria. – Fodor’s

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The Gnostics divided the animal kingdom between Good and Bad based on how their bodies touched the earth. Animals with hooves were Good; those with paws were Bad.

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Menossi explained that the mosaic below of snails in a basket was representative of man’s journey out of the darkness (shell) and into the light.  Aquileia6

Aquileia8

It is a great shame that when it was decided to add a campanile to the basilica complex, its base was plunked down right on top of the Gynostic Cycle and much of the content has been lost.

Photo:  JT

Photo: JT

Menossi told us that the meaning of these mosaics has only very recently been fully realized.  By chance, a local historian familiar with the mosaics, Renato Jacumin, met a Gnostic scholar named Luigi Moraldi.  Moraldi has just translated the Pistis Sophia, a 2nd century Gnostic text, into Italian. In Moraldi’s translation, Jacumin was astonished to discover precise written descriptions of the mosaics he had been studying for years. During our tour, Menossi carried a much-treasured copy of Jacumin’s book on the mosaics The Doors of Salvation which, sadly, is no longer in print.

Spilimbergo

La Scuola Mosaicisti del Friuli – The Mosaic School of Friuli – often called Spilimbergo  – is one of the Meccas of contemporary mosaic. Since it opened its doors in 1922, Spilimbergo has set the world standard for mosaic training and innovation. We were thrilled at the opportunity to walk the halls of a place that has trained some of today’s most innovative and thoughtful mosaic artists.

Spilimbergogroupntmp

This photo is a wonderful representation of Spilimbergo’s past and present. On the floor are examples of the traditional mosaic style that characterizes the school’s beginnings with the barrier-blasting  mosaic style introduced in the 1990′s by Giulio Candussio and the contemporary artists he brought into the school to have their works translated into mosaic.

SpilimbergoCarolina

Spilimbergo teacher and friend of MAN Carolina Zanelli (in the pink scarf above) was our tour guide while on break from a class and took us into several classrooms.

Spilimbergoclass2

Spilimbergoclassroom

Simple, no? No.

Photo:  JT

Photo: JT

The three year course of study at Spilimbergo is rigorous and strict. The goal is to teach the student all of the rules and possibilities of mosaic so that when he/she graduates, they are best able to offer various interpretations of the designs/cartoons that someone else has produced that they have been hired to fabricate. Only at the end of the third year is the student allowed to design their own mosaic and even then, all students work within the guidelines of a very specific project – the head of Christ, for instance.

So, we walked the halls, dazzled by mosaics ranging from reproductions of the pebble mosaics of Greece to works using every possible material in extraordinary and inspiring ways. A few photos  . . .

Spilimbergoportrait1

Spilimbergoportrait2

Spilimbergobark1

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Spilimbergo orb Spilimbergowires1 spilimbergowires2 Spilimbergocdachshund spilimbergodachsdetail

Spilimbergojazzman Spilimbergojazzmandetail

SpilimbergoMichelle

Photo:  AP

Photo: AP

IMG_1695

Photo:  AP

Photo: AP

Photo:  AP

Photo: AP

Photo JT

Photo JT

Photo:  AP

Photo: AP

We were all on sensory overload by the time we left the school and like the students below lounging on “the quad”, we were ready for lunch.

Photo:  AP

Photo: AP

Al Bachero is a favorite with students and faculty of the school and we were happy to run into Miriam Bastisch, a fellow mosaic blogger who has just started studying at Spilimbergo this year.  Also “in the house” was the wonderful mosaic group Mosaizm – all graduates of Spilimbergo who were also on their way to the festival in Ravenna.

Photo: AP

Photo: AP

Remember that synchronicity and karma we talked about earlier? Well, it kicked into high gear at Al Bachero. Carolina Zanelli introduced us to Giulio Candussio who just happened to be having lunch with Mosaizm. It was an incredible moment for us; we have been great fans of Candussio’s art and have utmost respect for what he accomplished at Spilimbergo during his term as its Director.

There also is a very American connection with Candussio. In response to the 2001 attack on the World Trade Center, Candussio designed an 118 x 13 foot mosaic entitled Iridescent Lightning which was fabricated by the students of Spilimbergo and installed at the rebuilt PATH station at Ground Zero in 2003. The mosaic is meant to portray “the energy and continuity of life.”

mosaicisti-friuli-4 Candussio was very gracious and quickly invited our whole group to visit him in his studio later that day. That two and a half hours was to be one of the highlights of the tour. The artist talked about his career, his decision to go back to revisit and complete projects that he had begun as a young man, and where he sees mosaic going in the future. At one point, he took us through a book of pen and ink sketches that he uses to develop an idea from concept to design to making; it was an opportunity to walk into the mind of a great artist – a very great privilege.

RicheyCandussio

Julie Richey, Giulio Candussio, Nancie Mills Pipgras

So ends our first article about our 2013 mystical, magical, mosaical tour in Italy. Subsequent articles will cover studio visits in Udine and then on to Ravenna for the festival. We do hope you are enjoying the trip! Many thanks to James Turner (JT) and Allan Punton (AP) for contributing photos to this article.

 

 

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Comments

  1. Allan Punton

    I thought I would just thank everyone who was both on the tour for their warm, generous and entertaining company , and the people we met who shared their time and experience with us.

    • Nancie

      Allan, it wouldn’t have been half as much fun without you! And thank you again for sharing your fabulous photos. Much appreciated.

  2. Miriam Bastisch

    Nice tour report, Nancie! Was a pleasure to meet you and your group in Spilimbergo!

  3. Michele McCrea

    Thanks Nancie, this is fabulous! Lovely to relive the excitement and awesome generosity of everyone we met in those first few days of our tour! Thank you Julie, too, and everyone who shared in and supported this tour! Fantastico!!

  4. Concetta

    Breathtaking images – thank you – and the snapshots of life in Spilimbergo makes me really appreciate the lovely Michela who lives with since graduating from Spilimbergo this summer – boy they work them hard!!

  5. Rosetta Berardi

    Nancie, thank you very much for this masterpiece of service that you did. Splendido! Congratulations also to our friends at Spilimbergo!

    • Nancie

      Thank you, Rosetta. I can’t wait to cover your BiblioMosaico in an upcoming article.

  6. George Fishman

    Such an amazing feast for eyes and heart. You truly captured the spirit of your trip. The account drips with the passion that you and your traveling companions brought to the adventure – and took home amplified!

    Thanks so much for this treat, and so glad we got to share some sweet time in Ravenna. Wonderfully tactile photos, Allan! Nancy sends a big hug.

    • Nancie

      Not enough time with you and Nancy, George. Truly!

  7. Lillian

    big kudos to JULIE RICHEY too, for taking the time to curate the tour in such an educational and contextual manner…anyone with an interest in Mosaic or History of Art in general should take the opportunity to tour with her! ~LS

    • Nancie

      You are so right there, Lillian. Julie has a real talent for creating incredibly rich experiences. It’s an art/people thing she does with a whole lot of joy.

      • Nancie

        You ain’t seen nothin’ yet, Lil.

  8. Lillian

    holy shit…this stuff is making my palms bleed! excellent round up and fabulous visuals. MOSAIC LIVES!!! thanks for taking the time to put this amazing round up together for those of us desk bound. you are tops!

  9. Linda

    Nancie,

    This is just awesome!!!

    I would never get to see such amazing art if it weren’t for MAN. It keeps me inspired to keep creating and for that I offer a thousand thank you’s!

    • Nancie

      That’s what MAN is there for, Linda. Try a little digging through the website on a rainy day . . . never know what you’ll find!

  10. Frances Woltman

    Thankyou for the wonderful photos. Would love to have been there. Inspirational!!!!!

  11. Petra Kartak

    What a delight to read your post about Ravenna 2013! Stunning pictures of great mosaics!
    Best wishes,
    Petra Kartak

    • Nancie

      More to come, Petra. We’re not even in Ravenna yet!

  12. Brigit McCallum

    What an incredible gift you have provided for us all! Such amazing beauty and power in the works, and it is so personalized by your account and photo/video presentation of it all! Thank you!

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Photo:  David CarasMarco De Luca "La Morte di Ofelia" 2003 123 x 183 x 3 cmLucas.jpgSager.jpgdragonflycompleteMonica_Machado_The_Clothes_Line_2000_260cmCorde-à-linge-Monica-Machado-détailstone-circle-dugald-macinnesMohamad Banawy "Abstract 3" 2010 80 x 80 cm  Clay, glass.MAN2009-Marzi-foto.jpgEaster_Egg_Mosaic_02.jpgAnadoMcLaughlinru paul2.pngHildreth_MeiereCathedral Basilica of Saint Louis, Drinking deer mosaic on northJeroenMeijerMaterNostra2008"More American Gifts:  Grenades"  2005  5.5 x 3.9 x 3.5 in  Ceramic, porcelain, plaster, wire, metal, cement adhesive, grout.the rainJason Middlebrook "Brooklyn SeedsFlaking paint on wooden door, Perthshire, Scotland. Photo: Helen Miles MosaicsAndrea Deszö  "Community Garden"  2006Julian_Modica_zappa.jpgMosaic RhinocerosLynnMoorPipgtailGirlBOMIMG_6541.jpgJinette+Mosaique.jpgMosaïzm "Gallaxiam" 2013 Detail  Photo courtesy MARCleo Mussi "Mind"  2012Silvia_Naddeo-Transition-2012Megumi-Naitoh-4192010-detail-Michael-WelchFamiliarGroundNewton Serenity 2FelicesBalls_4546.jpg8419_1251766378980_1374130919_703135_1818425_n.jpg"Cerulean Rendesvous" Carole Choucair-Oueijan 53.5 x 45 in.    Smalti, 24 karat gold smalti, cristallino, marble, granite111_0424.jpgFamiliarGroundNiki_de_Saint_Phalle_Tarot_Garden114Picasso.TeteFauveSergio-Policicchio-Corpi-celesti-2011"Dama-Dama" (2014) 1385 x 1165 cm.Elena Prosperi "Wakan-Tanka" 2013  60 x 198 cm  Tiffany glass, glass metal leaf, stones, feathers.Allan Punton "The Three Doges" 2014 Inspired by a ghost story by Alberto Toso FeiRebecca+detail.jpgAndjelka Radojevic  My Little ChickadeeGila+Rayberg+Morning+After.jpgSonya Louro do Rego "Fall" 2011 150 x 50 x 25 cm Shells and marble on wood and polystyrene  Photo: NTMP3312140193_3f2f0905ec.jpgNightshirt-Richey.jpegMo-Ringey-Stools-2004Faith Ringgold "Flying Home:  Harlem Heroes and Heroines (Downtown and Uptown)" 1996  Photo via MTA Arts for Transitdiego_rivera1-320x160Anna Rommel "Green Fish"clug romaniaAndrea Sala & Giulia Alecci "Co-musivo" 2013  VideoRuth_Minola_Scheibler_nightflight_024"x4"Peter Rabbit & fence Beatrix Pottermedium_Reminiscence.jpgWINDSTILL+1.jpgGino-Severini-Church-of-St-Mark-Cortona-Mosaic-wiki-cropIlana Shafir WhirlBeneath+1.jpgmail.JPGVox+Sizemore.JPG100_5652.jpgJasna SokolovicSollinger+Old+Growth+2000.jpgCarol Stirton-Broad "From My Sister's Garden #3" 2013 3.5 x 10.5 inPam Stratton "Twin Lights"Hisao Matsuo "Don't Tell What Was Seen In The Woods" 24 x 35"Carol Talkov "What's Inside" 2012  14 x 17 x 4tavonatti+4+close+up.jpgKathy Thaden  The VisitCynthia Toops "Wolf and Dog" 2012 2.75 x 2.75 x .25 in. Plymer clay, sterling silver metalwork by Chuck Domitrovich  Photo:  Michael WelchBrooks Tower "No Pants"  2004  24 x 14 in.Matylda Tracewska "Untitled" 60 x 48 cm. Marble and paint.Matylda Tracewska "Black Square III"  2011  80 x 80 x 4 cm.  Marble, smalti.Crack+true.jpgTunick_07_1Federico UribeVital CU 02vortex+close+up.jpgennisHouse_1428291c.jpgIsaiah Zagar    Photo WikipediaAleksey Zhuchov "Still Life With Bottles" 2012  50.5 x 47 cm  Natural and artificial stone, smalti.