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2011 February

27

Feb
2011

4 Comments

In Artisan Tile
News

By Nancie

Bella Vista Tile: Material Alchemy

On 27, Feb 2011 | 4 Comments | In Artisan Tile, News | By Nancie

Fascination  3″ square

This month, The Tileista (aka JoAnn Locktov) brings to life the sumptuous work of tile artists Lisa TeviaClark and her husband James Clark.  How wonderful to learn of artisans who want to
“. . . create art that speaks to and gives comfort. . .”  Enjoy – Nancie

Lisa TeviaClark has immersed herself in the material language of her medium. For the past thirty years she has experimented with clay and the alchemy of heat, salt, ash, minerals, and glazes. With her husband James Clark, she established Bella Vista Tile in 2003, as both a limited production studio and a laboratory.

Bowl with Flowers Mural,  24″ square

Her careful study of ancient Chinese wood ash glazes provides the inspiration for a contemporary interpretation. Every tree specimen, from Bull Pine to Madrone, interacts with the earth in its own way, resulting in an ash that is completely unique. More than fifty glazes adorn the tile collections, supporting TeviaClark’s desire “to make many different visual realities with tile.”

Cascade Dream 34″ x 17″

Making their own molds, hand pressing the clay, mixing and developing custom glazes, glazing by hand, carving and impressing bas relief patterns, together with the intimate and delicate dance of high firing, contributes to the artisanal nature of the tile.

Cascade Dream Detail

Originally creating hand thrown vessels, platters and tableaux (clay icons), TeviaClark transfers the individual nature of her former art into the character of her tile. Each is complete and has the potential to transform the space in which it resides. “I usually get a strong sense of what our tile can bring to the atmosphere,” she says, “what our tile can contribute. I’m very aware of how our tile becomes part of the place.”

Grove Fascination 2.5″ square

A visit several years ago to hot glass artist David Goldhagen resulted in bringing home buckets of glass, broken shards, powders, chunks, the raw materials with which to experiment and ultimately to give birth to a new collection. “Fascinations” brings together porcelain and glass.

Fascination  3″ square

It consists of delicate carvings, bas-relief dimensionality, matte and metallic glazes together with fragments of glass. Melted and merged, when fired, each tile is a window of light and a well of saturated color. They are reminiscent of stained glass but with light glowing from beneath, an effect made possible by the variable reflective depths of the glass.

Kitchen Installation

When she saw that customers were reproducing sample boards as kitchen focal points, TeviaClark was inspired to create elaborate panels incorporating stones, gems, pearls, and ceramic medallions. Ornate, richly colored mosaics, they offer malleable concepts for materials and textures that invite close observation.

Mosaic Bouquet  20.5″ square

The work of Bella Vista Tile is an antidote to the demise of beauty in the world. “I see that beauty is diminishing in the world. More and more, spaces feel stark and oppressive. When I encounter something beautiful I feel human and somehow cared for. I want to create art that speaks to and gives comfort to the souls of sensitive people.” Encouragingly, she adds, “I believe we are all sensitive people.”

 Lisa TeviaClark & James Clark

For more information:  http://www.bellavistatile.com/

“Tileista” is a monthly column that explores the beauty of artisan tile. JoAnn Locktov is the author of two books (Mosaic Art and StyleThe Art of Mosaic Design) and numerous articles on contemporary mosaics and tile. Her public relations firm Bella Figura Communications represents creative individuals and businesses in design, architecture, art, and travel. Follow her musings on Twitter:  http://twitter.com/jolocktov

www.bellafiguracommunications.com

“Tileista” articles on MAN can be found here.


23

Feb
2011

2 Comments

In Artists
Exhibits & Museums

By man-admin

News Re: Ilana Shafir, Gary Drostle and MAN 2011

On 23, Feb 2011 | 2 Comments | In Artists, Exhibits & Museums | By man-admin

Ilana Shafir Exhibits in Philadelphia

Exhibit postcard
Correction:  Ms. Shafir’s talk at Philadelphia’s Magic Gardens is this FRIDAY, MARCH 4th!

If you are anywhere near Philadelphia, PA between February 25th and May 1st – RUN – Do Not Walk – to see the wondrous mosaics of Ilana Shafir on view at Isaiah Zagar’s Magic Gardens.

Better yet, make plans to hear this inspiring, energetic, 86 year old woman lecture on her work on March 6th between 6 and 8 PM.  We have been told by many of her students that Ms. Shafir’s words and teachings have changed their lives.

We had the pleasure of meeting Ms. Shafir and her daughter, Leah Zahavi, at the Society of American Mosaic Artists conference last week.  Ms. Zahavi is a talented artist herself who works in both ceramics and textiles.

MAN Publisher Michael Welch, Artist Lynne Chinn and Ilana Shafir

Ms. Shafir was selected as one of Mosaic Art NOW’s Exhibition in Print 2011 (sponsored by LATICRETE) by artists by Emma Biggs and Matthew Collings who referred to her work as “magical.”

Hanging Gardens   24.8 x 47.24 x 2 in.  
Hand-made ceramic pieces, ceramic fragments pottery shards, natural and cut stones, pebbles and shells.
(Photography by Giora Shafir)

Detail

From Ms. Shafir’s Artist Statement in the 2011 edition of our magazine:

I try to express something beyond the mundane and the decorative and to create a fusion of elements that will touch the viewer and express something that can be said in no other way.

We can only imagine how powerful a visual experience it would be to see Ms. Shafir’s work amidst Isaiah Zagar’s brilliance.  Details on the exhibit and events are below.

When:  Philadelphia’s Magic Gardens, 1022-24 South Street, Philadelphia PA
When:  February 25 – May 1
Cost:  Adults $5, Youth 6-12 years $2, Kids 5 and under free

Ilana Shafir’s website:  http://www.shafirart.com/index.html
Leah Zahavi’s website:  http://www.inner-piece.com/artist
Philadelphia’s Magic Gardens:  http://www.philadelphiasmagicgardens.org/

Drostle Wins Major Tile Industry Award

 (Photo by Dr. Lea VanderVelde)

We just received word yesterday that Gary Drostle has been declared the winner of the 2011 TileLetter Award given by the National Tile Contractors Association (NTCA).  His masterwork, River of Life (above), won the award for best Commercial Mosaic/Glass project.  Drostle will receive his award at NTCA’s awards ceremony accompanying their mega-show “Coverings” in Las Vegas March 16th.

 Drostle in his London studio.
(Photo by Julie Richey)

With the help of MAN correspondent Julie Richey, we followed this installation at the University of Iowa’s Wellness Center on the MAN blog here, herehere, here, and here.  Ms. Richey has also written a feature article on River Of Life for the 2011 edition of MAN the magazine.

Mr. Drostle’s website:  http://www.drostle.com

MAN 2011 Coming Soon!

The 2011 edition of Mosaic Art NOW debuted at the SAMA conference last week and met with  wonderfully warm response for which we are very grateful.  We are now hard at work making the internet magic happen to make it available for sale on the web.   As soon as all systems are “Go!” we will let you know.  Thank you for your patience.

Enjoy –– Nancie

10

Feb
2011

4 Comments

In Artists
Et cetera

By man-admin

Riding the Peacock: Sara Baldwin and New Ravenna

On 10, Feb 2011 | 4 Comments | In Artists, Et cetera | By man-admin

Peacocks have long been a recurring theme in the creative life of Sara Baldwin and her extraordinary, award-winning, mosaic-making enterprises, New Ravenna Mosaics and Sara Baldwin Design.

New Ravenna’s logo inspiration  The Navigation of Venus,  Bardo Museum

For Baldwin, peacocks are almost a totem.  “Peacocks are an important part of our culture here at New Ravenna.  When I decided I needed a logo, the designers brought a dozen options; Tunisian mosaics, mosaics of Roman Africa.  I wanted an element of fantasy in my logo.  Something that would immediately say, ‘Anything is possible! Why not ride the peacock?!’”

Why not, indeed?

Why not fall in love with mosaics while walking through the Met as a graduate painting student?  Why not start making mosaics on the floor of your family’s living room and then pitch your parents on the idea that you could make a living making these things?  Why not tote your baby on your hip while sourcing materials from industrial tile stores? Why not jump into your car with a cardboard box full of samples, plant yourself at the concessions area at Coverings and start taking orders?  Why not grow those samples into a multi-million dollar mosaic business, collaborate with some of the world’s top designers, employ almost 100 employees and have tons of fun doing it?

One of Baldwin’s first mosaics, a reproduction of a Roman mosaic.

Baldwin and her company have been featured in every major design magazine and several business magazines as well.  Her work is exquisite in both design and execution – often employing labor intensive methods to create works of art that are highly sought after by interior designers and home owners.  While interviewing Baldwin last week, we were struck by what a fascinating human being she is.  In this post, we’ll let images of her mosaics speak for themselves and spend our words telling the story of this most amazing woman.

Peacock Feathers  Stained glass panel 30 x 84″

Baldwin learned about possibilities from her father.  “My father made us do crazy things when we were kids.  He’d say, ‘Why can’t we make bayberry candles?  I’ll tell you, you have to pick a lot of bayberries to make a candle and the first time we tried it, it didn’t work at all.  Then we found out you had to add beeswax; we did it all over again and it worked!  Then it was on to ‘Why can’t we make maple syrup?’”

Raj   Honed and polished marble.

While the peacock stands for possibilities, it is that every day magic called synergy that Baldwin believes propels her life forward.   Synergy is often defined as:  “The interaction of two or more agents or forces so that their combined effect is greater than the sum of their individual effects”*  When Baldwin isn’t looking for synergy, she’s creating it.

“When I think about mosaics the concept of synergy immediately comes to mind.  You start out with small, individual pieces and create something much bigger and more wonderful by putting them together. 1 + 1 + 1 + 1 = 10!”  We asked for examples.

Eddies Marble
Sara’s Synergy Example #1:  Remember that industrial tile store mentioned earlier?  It was an American Olean (now owned by DalTile) shop in South Philadelphia in 1990.   Young son on her hip, Baldwin asks the nice men behind the counter for two feet of this and two feet of that and oh, what should she use to cut them?
Rubrik  Stained glass
It was odd enough that the two countermen were kind enough to climb up ladders to break open cases of tile (the usual sales unit) to get what Baldwin needed.  Odder still is that one of the men behind that counter was Renato Odorico – of the famed French mosaic-making family who created some of that country’s most iconic art deco mosaics. (MAN July 2009).  In a time when there was virtually no literature available on making mosaics, Baldwin walks into a neighborhood tile store and finds a world-class mosaic mentor.  (Odorico is now a high level executive with DalTile)

Natasha  Stained glass

Sara’s Synergy Example #2: “One night, at a small backyard evening party in the coastal town of Cape Charles, a friend of mine announced that she’d always wanted to be in an all-girl band and perform before she turned 40.  Despite the fact that nobody knew how to play even one instrument, four of us laughingly volunteered to help her achieve her goal.  I’d always wanted to play bass guitar so this was the perfect excuse–and over the course of the next few months we learned seven songs which we played at a party for Sheri’s 40th birthday!

Two weeks later we played at a harbor party in Cape Charles and over 300 people showed up.”

Jacqueline Vine  Waterjet cut and tumbled Thassos.
Sara’s Synergy Example #3:  “At New Ravenna, we function as a synergistic organization.  The people I work with are my hands and my brain.  We all work together, using each other’s strengths.  I have three women, Danielle LaBreck, Cean Irminger and Marcie McComb, who work with me in a design capacity.  They do the research and development for our line designs and when we get a custom order, they’ll do the renderings and samples for clients to consider.  Every single person who works here brings something vitally important to our success.  Miss shipping an order?  You lose a client.  Our business is built on relationships.”
 Simone sample.  Based on a rug design by James Duncan.  Waterjet cut stained glass.
As we said before, when Baldwin isn’t discovering synergy, she’s creating it.  Take the case of the incredible photo you see below featuring Twitter the Fawn.  Twitter came to work one day with Kathy Cummings, “our mounting and grouting goddess”, who fosters wild animals in her home.  The beautiful creature was uncharacteristically peaceful lying on New Ravenna samples (could it be that pattern soothes the savage beast?) and Baldwin had just become far more handy with a camera so . . . Voila!  Mosaic magic is made.
Baldwin has even created a line of mosaic art panels called Synergy.  She describes it as ” . . . a collection of signature mosaics inspired by enduring friendships, shared visions, and collaborative relationships with renowned designers hailing from Manhattan to Mustique.”  You can see the gorgeous catalog here.
Recently, Baldwin got up close and personal with a camel in the UAE.  How did that happen?  This time it’s synchronicity, but we’ll let her tell you that story on her blog.
Enjoy –  Nancie
More:

01

Feb
2011

5 Comments

In Ancient

By man-admin

Horbat Midras: Grave Robbers Lead to New Mosaic Find in Israel

On 01, Feb 2011 | 5 Comments | In Ancient | By man-admin

AP Photo



Exciting news from the Israeli Antiquities Authority.  Enjoy –  Nancie


An Archeological Discovery of Major Importance, Including a Public Building and a Large Beautiful Mosaic, was Uncovered in Salvage Excavations the Israel Antiquities Authority Conducted at Horbat Midras
 
An archaeological discovery, including an impressive mosaic floor that is large and beautiful and a church, was uncovered in excavations carried out by the Israel Antiquities Authority at Horbat Midras in the Judean Shephelah. Various scholars who visited the site during the excavation proposed identifying the place as the residence and tomb of the prophet Zechariah. 

 

                                                                         Ariel Schalit/AP

In recent months an archaeological excavation was conducted at Horbat Midras in the wake of an antiquities robbery during the course of which robbers attempted to breach and plunder an ancient underground complex.

Courtesy Israeli Antiquities Authority

Horbat Midras is known as the site of a large, important Jewish settlement that dates from the Second Temple period until its destruction during the Bar Kokhba uprising in 135 CE. Among the remains at the site are those of buildings, caves, agricultural installations and extensive hiding refuges. The site was identified by a number of scholars as the location of a major settlement and research of the site was begun in the late nineteenth century and continues until the present. In the 1980s a lintel bearing a unique decoration was discovered at the site. Due to the similarity between it and an identical lintel from the Horbat Nevoraya synagogue in the north of the country, Professor Amos Kloner and Dr. Zvi Ilan ?”? put forward the theory that an ancient Jewish synagogue is located nearby.

Courtesy Israeli Antiquities Authority



Recently, in the wake of the illicit excavations there by antiquities robbers, the lintel was rediscovered by inspectors of the Israel Antiquities Authority Unit for the Prevention of Antiquities Robbery. Following the discovery, an excavation was carried out with the aim of revealing the secrets of the monumental building which the lintel belonged to. The excavation, on behalf of the Israel Antiquities Authority, was directed by Amir Ganor and Alon Klein of the Unit for the Prevention of Antiquities Robbery.

A public building of impressive beauty dating to the Byzantine period, in which there are several construction phases, was exposed in the excavation. In the last two construction phases the building was used as a splendid church. However, based on the results of the excavation and as evidenced by the artifacts, it seems that this church is built inside a large public compound from the Second Temple period and the Bar Kokhba uprising which was used in the first construction phases of the compound.

 

                                                                         Ariel Schalit/AP
The church, in its last phases, was built as a basilica, at the front of which is a large flagstone courtyard from which worshippers passed into an entry corridor. Through a shaped opening one enters into the nave where there were eight breathtaking marble columns that bore magnificent capitals which were specially imported from Turkey. At the end of the nave is a raised bema and on either side of the nave are two wide aisles. All of the floors in the building were adorned with spectacular mosaic floors decorated with faunal and floral patterns and geometric designs that are extraordinarily well preserved. Located behind the bema are two rooms, one paved with a marble floor and the other that led to an underground tomb devoid of any finds. Branching out beneath the entire building is a subterranean hiding complex in which there are rooms, water installations, traps and store rooms. This complex belongs to the large building from the Second Temple period which the Byzantine church was built into. Among the artifacts discovered in the hiding complex are coins from the time of the Great Revolt (66-70 CE) and the Bar Kokhba uprising (132-135 CE), stone vessels, lamps and various pottery vessels that are characteristic of the Jewish population from the settlement at that time.


As previously mentioned, researchers who visited the site are of the opinion that this place is the residence and tomb of the prophet Zechariah. Ancient Christian sources identified the burial place of the prophet Zechariah in the village of Zechariah, and noted that his place of burial was discovered in 415 CE. The researchers believe that in light of an analysis of the Christian sources, including the Madaba Map, the church at Horbat Midras is a memorial church meant to mark the tomb of the prophet Zechariah. This subject will be examined and studied in the near future.

For the past month the Israel Antiquities Authority has been engaged in exposing the magnificent structure, unraveling its secrets and preserving the mosaic floors. In the coming days the spectacular mosaics will be covered and the planning process will begin for the conservation of the site and its future presentation to the public, as one of the sites selected for treatment within the framework of the prime minister’s national heritage project.

There is no doubt that the discovery is extraordinary and of great importance in terms of research, religion and tourism.


More great photos with close ups from UPI  (Thank you, Sonia King) http://www.upi.com/News_Photos/Features/Archeological-Excavations-in-Horbat-Midras-Israel/4566/5/

Adams.jpgHouston.jpgSt. Me  2004  14 x 11 inches  Smalti, gold smalti, marble.sara.jpgWebb_Bryant Patio RaysMohamad Banawy "Abstract 3" 2010 80 x 80 cm  Clay, glass.Luca Barberini Bone Flowersandres_basurto_large08.jpgBeauchamps-SeasonofSunandwind-2AprilBegayhungry-for-gold-320x312Jolino_Bessera_DontCutYourTongueOnTheRhinestonesMarie-laure-BessonFragmentsIVBiggsTide6272969822_38f84a7e5f_z.jpgMeredith Live Oak bark, recycled tempered glass, paint, metallic powders39.jpgMangere+Mosaic.jpgGreat Silence (2)Marco_Bravura_Recuperi_d'_OroSunflowers+smalti+unglazed+ceramic+63+x+48+cm.jpgLilian_Broca_Queen_Esther_Revealing_Her_True_IdentityCarl&SandraBryantCaCO3  "Movimento n.1"  2007  60 x 85 cm  Limestonemail-2.jpgCharny Birds in Hair 10000-Chinn32.jpgRamblings_for_sending_copy12.jpgSelf-Portrait, 2004-2005 102 x 86Clough.jpgBiggs_and_CollingsRebecca_Collins_StrengthToStrength_2011Luca_Carlo_Colomba_4552.jpgDSCN0270.JPGCzapracki.jpgJeanAnn Dabb "Assay 1: Delamar" 2012  20 in. diameter  Bone ash cupels, ceramic crucibles, glass, porcelain.  In the background:  "Core:  Tintic District"  2012  Triptych 70 x 13 in panels.  Stone core samples, ceramic, smalti, woodAndrea Deszö  "Community Garden"  2006Julie_Dilling_Keep_Me_WarmDimit.jpgKatrina Doran  Noli Me TangereGary Drostle, 2010 "Movement and Vitality" DetailDrouin.jpgErcolani.jpgFaileSizeVisionMosaic.jpgneda-600x400.jpgCynthia Full 54,5x65cmSara Frost "Querty" Detail  Photo: via Colossal.com5pods.jpgRed+Pods.jpgLarry_M_Levine.jpgGoode.jpgElaine M Goodwin Touching ParadiseRoberta Grasso "Memory of a Dream" 2012  460 x 230 cm  Silicon, smalti, ceramic glass, organza, tulle.Jhgreen_wall.jpgfull.jpgErika+full.jpgHanansen_GRS_framed_2000ProgressonIII Rhonda HeislerIMG_1199.jpgSamantha Holmes "Absensce (Moscow)" 2012  260 x 150 cm  Marble, smalti, ceramic glass, gold.hubbell-intro.jpgHutchinson_Tango_Corto1Iliya Iliev  "Sesif"  2010  70x120cm diptych.  Stones, glassMombasa.jpgIskander+Impromptu-in-Blue+2000.jpgSamantha Holmes "Unspoken 10.22.20 - 07.07.10" 2011 55x55x5 cmjones-time-for-lunch-1000Francien Jongsma Simonemichaelferris.jpgKaitis.jpgVadzim Kamisarau "The Main News 3"  2012  50 x 95 cm  Cement, smaltikenawy-memories-full1Keren.jpgKate_KerriganWalkingInRainMatko_KezleInki-400-bimg-kii-blue-grids-in-blue-big.jpgPermafrost+King.jpgAndrej-Koruza-Structured-1-2011-Detailkozachek+Three+Intruding+Fanatics.jpgMichael_Kruzich_SylvesterMelaine_Lenoelevy-a-man-in-a-waiting-room-300dpi-1000Marco De Luca "Mosaico blu" 2007 39 x 24.5 cmLucas.jpgSager.jpgtarantulalongMonicaMachado2012stone-circle-dugald-macinnesMohamad Banawy "Abstract 3" 2010 80 x 80 cm  Clay, glass.MAN2009-Marzi-foto.jpgEaster_Egg_Mosaic_02.jpgAnadoMcLaughlinru paul2.pngHildreth_MeiereCathedral Basilica of Saint Louis, Drinking deer mosaic on northJeroen Meijer "HIgh Expectations and a Dog Called Lucky" 2007" 127 x 72 cm (inc. frame)  Vitreous tile, stone, glass beads, photo print on tile, bullets, chain, copper rod, jigsaw pieces."More American Gifts:  Grenades"  2005  5.5 x 3.9 x 3.5 in  Ceramic, porcelain, plaster, wire, metal, cement adhesive, grout.the rainJason Middlebrook "Brooklyn SeedsAndrea Deszö  "Community Garden"  2006Julian+Modica+50+x+50+cm.jpgLynnMoorPipgtailGirlBOMIMG_6541.jpgJinette+Mosaique.jpgCleo Mussi "Icon" 2012Ti_Desidoro_1FamiliarGroundNewton Serenity 2FelicesBalls_4546.jpg8419_1251766378980_1374130919_703135_1818425_n.jpgChoucair Oueijan-Cerulean Rendezvous-full111_0424.jpgFamiliarGroundNiki_de_Saint_Phalle_Tarot_Garden114Picasso.TeteFauveSergio-Policicchio-Corpi-celesti-2011Rebecca+detail.jpgAndjelka Radojevic  My Little ChickadeeGila+Rayberg+Morning+After.jpg"Fall"  detail  Photo:  NTMP3312140193_3f2f0905ec.jpgNightshirt-Richey.jpegFaith Ringgold "Flying Home:  Harlem Heroes and Heroines (Downtown and Uptown)" 1996  Photo via MTA Arts for Transitdiego_rivera1-320x160anna-rommel-green-fishimg_38021clug romaniaRuth_Minola_Scheibler_nightflight_024x4+Denae-Arthur+Rackam.jpgmedium_Reminiscence.jpgWINDSTILL+1.jpgGino-Severini-Church-of-St-Mark-Cortona-Mosaic-wiki-cropIlana Shafir WhirlBeneath+1.jpgmail.JPGVox+Sizemore.JPG100_5652.jpgSelf+Portrat.jpgSollinger+Old+Growth+2000.jpgPam Stratton "Twin Lights"metamorphosis_lg.jpgKathy Thaden  The VisitMatylda Tracewska "Black Square III"  2011  80 x 80 x 4 cm.  Marble, smalti.Crack+true.jpgTunick_07_1Federico UribeVital CU 02vortex+close+up.jpgennisHouse_1428291c.jpgIsaiah Anado and RichardAleksey Zhuchov "Still Life With Bottles" 2012  50.5 x 47 cm  Natural and artificial stone, smalti.