Image Image Image Image Image

* = required field

BOM: get the Best of Mosaic Art NOW

Keep up with what’s happening in the world of  contemporary mosaics on your own time by subscribing to The BOM.

The BOM is a weekly digest showcasing three MAN articles and the top five tweets of the week. Sign up below and  The BOM will show up in your email inbox every Sunday at noon Pacific Standard Time.

We hate spam, too, so we won’t share your information with anyone else and guarantee that The BOM will be the only time you’ll hear from us – unless, of course, something really great comes up.

Mosaic Art NOW Tweets

Unable to load twitter feed.

Newsletter
Scroll to Top

To Top

04

May
2010

This Article appears in:

Artists

Read the comments:

9 Comments

Tweaking: Drostle’s "River of Life" Mosaic, Part 3

On 04, May 2010 | 9 Comments | In Artists | By man-admin

John Lennon sang, “Life is what happens when you’re busy making other plans.” With mosaics — or any art form for that matter — it is often brilliance that happens when you’re willing to scrap your original plans.

In this third installment of our chronicling of Gary Drostle’s “River of Life”, artist Julie Richey uses photos by Sarah Zirkel to illustrate how a mosaicist identifies weaker areas in a work and then alters them to stunning effect. Enjoy — Nancie (For the previous two installments, click here and here.)
Welcome back to the Drostle Studio, where, I suspect, the “River of Life” has all been filled in (photos please, Sarah?) She was kind enough to send these new gems yesterday, so let’s take a look.
Today, we find the artist “contemplating” the medallion that is also part of the commission for the University of Iowa’s new Wellness Center.
Recognize the pose? Many of us have been in this situation countless times. Finish a large section, take a step back (or stand on a stool to get a better aerial view of your work) and squint a little. Fold your arms. Rub your chin – whiskers, if you’ve got ‘em.

Ask yourself, “what’s wrong with this picture?” Analyze. Or analyse, if you’re British. Change points of view. Squint some more. Then, gradually accept the bare facts: you’re going to have to make some alterations. In this case, the skull on the runner, and his “scrawny arm” were bothering Gary.

He thought the skull looked “domed,” so here’s what he did: rechanneled the andamento which formerly outlined the runner’s head, flattening it slightly. And the arm was extended with more dark tesserae to beef it up a bit. Problem solved.

Here’s the gymnast. No issues here. Just gorgeous shading, brilliant use of light source and dynamic flow.

And another diver:

I saved the best one for last. Isn’t she gorgeous? With attitude to spare.
Here’s Gary working on adding some underutilized colors to the background. Once again, Gary’s generosity in allowing us to peer over his shoulder is instructional and fascinating.


Excellent progress. Go Gary! And don’t let all those visitors traipsing through your studio this weekend during Open House distract you from the task at hand.

Cheers!
Julie


Share this article

Comments

  1. Stone Art

    Wow absolutely fantastic work, a true artist. Lovely to be able to see how he makes changes to reach perfection.

  2. Eric

    Such a monumental work, thanks for giving us small-timers a peek.

  3. George

    Dramatic, dynamic work – and very clearly presented. Brava, Julie. Lovely to have an insider's detailed study of the "guts" of the work. (Unlike seeing how sausage is made!)

  4. Nancie Mills Pipgras

    All I did was post, Christine. It's Julie Richey who deserves the kudos.

  5. cbmosaics

    Gary, the work is absolutely stunning. It has been wonderful to follow, Nancie, thanks so much for posting it.

  6. Nancie Mills Pipgras

    Ha!

  7. Gary Drostle

    PS. I don't need to squint, I just take my glasses off…

  8. Nancie Mills Pipgras

    Grazie!

  9. Maureen

    That last athlete in her pose is incredible.

    I am so delighted to learn you already are halfway toward the fundraising goal. I did leave a note about both of you at Our Cancer and asked for prayers on your behalf. Namaste.

Adams.jpgHouston.jpgSt. Me  2004  14 x 11 inches  Smalti, gold smalti, marble.sara.jpgWebb_Bryant Patio RaysMohamad Banawy "Abstract 3" 2010 80 x 80 cm  Clay, glass.Luca Barberini Bone Flowersandres_basurto_large08.jpgBeauchamps-SeasonofSunandwind-2AprilBegayhungry-for-gold-320x312Jolino_Bessera_DontCutYourTongueOnTheRhinestonesMarie-laure-BessonFragmentsIVBiggsTide6272969822_38f84a7e5f_z.jpgMeredith Live Oak bark, recycled tempered glass, paint, metallic powders39.jpgMangere+Mosaic.jpgGreat Silence (2)Marco_Bravura_Recuperi_d'_OroSunflowers+smalti+unglazed+ceramic+63+x+48+cm.jpgLilian_Broca_Queen_Esther_Revealing_Her_True_IdentityCarl&SandraBryantCaCO3  "Movimento n.1"  2007  60 x 85 cm  Limestonemail-2.jpgCharny Birds in Hair 10000-Chinn32.jpgRamblings_for_sending_copy12.jpgSelf-Portrait, 2004-2005 102 x 86Clough.jpgBiggs_and_CollingsRebecca_Collins_StrengthToStrength_2011Luca_Carlo_Colomba_4552.jpgDSCN0270.JPGCzapracki.jpgJeanAnn Dabb "Assay 1: Delamar" 2012  20 in. diameter  Bone ash cupels, ceramic crucibles, glass, porcelain.  In the background:  "Core:  Tintic District"  2012  Triptych 70 x 13 in panels.  Stone core samples, ceramic, smalti, woodAndrea Deszö  "Community Garden"  2006Julie_Dilling_Keep_Me_WarmDimit.jpgKatrina Doran  Noli Me TangereGary Drostle, 2010 "Movement and Vitality" DetailDrouin.jpgErcolani.jpgFaileSizeVisionMosaic.jpgneda-600x400.jpgCynthia Full 54,5x65cmSara Frost "Querty" Detail  Photo: via Colossal.com5pods.jpgRed+Pods.jpgLarry_M_Levine.jpgGoode.jpgElaine M Goodwin Touching ParadiseRoberta Grasso "Memory of a Dream" 2012  460 x 230 cm  Silicon, smalti, ceramic glass, organza, tulle.Jhgreen_wall.jpgfull.jpgErika+full.jpgHanansen_GRS_framed_2000ProgressonIII Rhonda HeislerIMG_1199.jpgSamantha Holmes "Absensce (Moscow)" 2012  260 x 150 cm  Marble, smalti, ceramic glass, gold.hubbell-intro.jpgHutchinson_Tango_Corto1Iliya Iliev  "Sesif"  2010  70x120cm diptych.  Stones, glassMombasa.jpgIskander+Impromptu-in-Blue+2000.jpgSamantha Holmes "Unspoken 10.22.20 - 07.07.10" 2011 55x55x5 cmjones-time-for-lunch-1000Francien Jongsma Simonemichaelferris.jpgKaitis.jpgVadzim Kamisarau "The Main News 3"  2012  50 x 95 cm  Cement, smaltikenawy-memories-full1Keren.jpgKate_KerriganWalkingInRainMatko_KezleInki-400-bimg-kii-blue-grids-in-blue-big.jpgPermafrost+King.jpgAndrej-Koruza-Structured-1-2011-Detailkozachek+Three+Intruding+Fanatics.jpgMichael_Kruzich_SylvesterMelaine_Lenoelevy-a-man-in-a-waiting-room-300dpi-1000Marco De Luca "Mosaico blu" 2007 39 x 24.5 cmLucas.jpgSager.jpgtarantulalongMonicaMachado2012stone-circle-dugald-macinnesMohamad Banawy "Abstract 3" 2010 80 x 80 cm  Clay, glass.MAN2009-Marzi-foto.jpgEaster_Egg_Mosaic_02.jpgAnadoMcLaughlinru paul2.pngHildreth_MeiereCathedral Basilica of Saint Louis, Drinking deer mosaic on northJeroen Meijer "HIgh Expectations and a Dog Called Lucky" 2007" 127 x 72 cm (inc. frame)  Vitreous tile, stone, glass beads, photo print on tile, bullets, chain, copper rod, jigsaw pieces."More American Gifts:  Grenades"  2005  5.5 x 3.9 x 3.5 in  Ceramic, porcelain, plaster, wire, metal, cement adhesive, grout.the rainJason Middlebrook "Brooklyn SeedsAndrea Deszö  "Community Garden"  2006Julian+Modica+50+x+50+cm.jpgLynnMoorPipgtailGirlBOMIMG_6541.jpgJinette+Mosaique.jpgCleo Mussi "Icon" 2012Ti_Desidoro_1FamiliarGroundNewton Serenity 2FelicesBalls_4546.jpg8419_1251766378980_1374130919_703135_1818425_n.jpgChoucair Oueijan-Cerulean Rendezvous-full111_0424.jpgFamiliarGroundNiki_de_Saint_Phalle_Tarot_Garden114Picasso.TeteFauveSergio-Policicchio-Corpi-celesti-2011Rebecca+detail.jpgAndjelka Radojevic  My Little ChickadeeGila+Rayberg+Morning+After.jpg"Fall"  detail  Photo:  NTMP3312140193_3f2f0905ec.jpgNightshirt-Richey.jpegFaith Ringgold "Flying Home:  Harlem Heroes and Heroines (Downtown and Uptown)" 1996  Photo via MTA Arts for Transitdiego_rivera1-320x160anna-rommel-green-fishimg_38021clug romaniaRuth_Minola_Scheibler_nightflight_024x4+Denae-Arthur+Rackam.jpgmedium_Reminiscence.jpgWINDSTILL+1.jpgGino-Severini-Church-of-St-Mark-Cortona-Mosaic-wiki-cropIlana Shafir WhirlBeneath+1.jpgmail.JPGVox+Sizemore.JPG100_5652.jpgSelf+Portrat.jpgSollinger+Old+Growth+2000.jpgPam Stratton "Twin Lights"metamorphosis_lg.jpgKathy Thaden  The VisitMatylda Tracewska "Black Square III"  2011  80 x 80 x 4 cm.  Marble, smalti.Crack+true.jpgTunick_07_1Federico UribeVital CU 02vortex+close+up.jpgennisHouse_1428291c.jpgIsaiah Anado and RichardAleksey Zhuchov "Still Life With Bottles" 2012  50.5 x 47 cm  Natural and artificial stone, smalti.