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On 31, Oct 2009 | 3 Comments | In Uncategorized | By man-admin
Blogger Halloweened us yesterday with a couple of nasty goblins that made posting impossible. Our erstwhile Web Wizard (Bill) fixed the conundrum of “Boo”, but still a portion of the content about The Skull and the Level was lost. And it was good stuff, as Paul Anater’s comment yesterday reminded me.
So here, once again, is the Skull and the Level from Pompeii which now resides in the National Archeological Museum in Naples. There’s an absolutely terrific explanation of the symbolism of the mosaic below from the Institute and Museum of the History of Science. I think it is absolutely fascinating.
Constituting the emblema of the flooring in a triclinium, this mosaic, with its naturalistic depiction of a skull and the tools of a mason, expresses allegorically the transience of life and the impending nature of death. It is the libella, the level, from which hangs the plumb-line -the instrument that serves to control the levelling of a construction- that symbolises all equality: from its ends hang in perfect equilibrium the symbols of power (the sceptre and the royal purple) and on the right, the sack and the stick, symbols of poverty. The skull -with a line of darker tesserae outlining the sutures of the cranium- and the level -an instrument that we known only through depictions from the Roman period, shown here with clearly illustrated bronze elements and its wooden structure- underline the intent to depict them with precision.
Here is Paul Anater’s (www.kitchenandresidentialdesign.com) reaction to seeing this mosaic in person:
Seeing that Skull and Level (the Memento Mori) in person is but one more reason to go to the National Archeological Museum in Napoli. That thing has more layers of meaning than should be allowed –it’s almost too much to ponder. The skulls is resting on a butterfly and it’s in turn resting atop Fortuna’s wheel. To the left are the trappings of wealth and to the right are the trappings of poverty. Quite a thing to have on your dining room floor when you’re a wealthy Roman.
Many thanks again to Liz Brazelton of Garden District Mosaics for “digging” this one up for us. Here is one of her works that is a lovely use of natural materials in a small format.
Here’s hoping your Halloween was “goblin proof”. Enjoy — Nancie